Splendid Attars
January 8, 2026 at 02:27 PM
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Twenty years ago a grape-purple UFO landed on our vanities and politely declined to leave. Mugler Alien did not debut as a crowd-pleaser, it debuted as a statement. Solar jasmine turned to molten metal, amber that hums like a transformer, a sleek amethyst talisman that looked more like couture hardware than a bottle. I remember spritzing it on a crowded night bus and watching heads tilt like sunflowers toward a heat source they couldn’t place. Half of them smiled. One woman scowled. That is the point.
People love to tell me Alien is “too much.” Too much what, exactly. Too much Jasmine Sambac that smells like green tea leaves getting a sunburn. Too much cashmeran that wraps you in a velvet-static aura. Too much confidence. In a timeline flooded with safe fruit-chouli and beige musks, Alien chose the solar route and then made it a franchise.
It helped that Thierry Mugler had already taught us to accept audacity with Angel and A*Men. But where Angel was sticky-cosmic, Alien is clean-hot, like light on chrome. Credit to perfumers Dominique Ropion and Laurent Bruyère for distilling a whole atmosphere into three notes that behave like theater lighting. If you ever needed proof that minimalism can be maximal, here it is.
Reformulations happened, of course. The current Alien Eau de Parfum is smoother, a touch less feral, still unmistakable. The spin-offs tell their own weather report:
Here’s my honest take. If you tried Alien once and ran, try it again on warm skin, not paper, and give it the courtesy of silence for the first hour. The radiance is the message. It doesn’t whisper intimacy, it projects a halo. Some days I want tenderness. Other days I want to look like I ate the sun for breakfast. That’s Alien at 20, not a trend, a fixed star.
Source: nstperfume
Source: Splendid Attars
Published: January 8, 2026 at 02:27 PM